The latest book of short stories. Life as seen through the eyes of young Clyde Stuart. A bittersweet and charming read. The personalities we encounter in Yeagon's Way are as intriguing as old photographs in family albums. The events are absorbing because they have the integrity of truth. Stevens captures the essence of a character from ordinary life, the very ordinariness becoming a springboard for dazzling imagery. A collection not soon forgotten!
Confessions:
New and Selected Stories
Realities are Stories. Stories are Realities and often Confessions.
Each life, seen clearly, is a confession. It could be weighted by the feeling "Ah! If only I could do this all over!" We find the charismatic veterinarian who sacrifices inner growth for admiration and lust; and the alcoholic who bares himself with a total wrenching honesty. Sometimes, confession is fossilized by fear, as in "A Shot in the Dark," when paranoia is punctuated by reality; and for Harry, whose hypochondria -- or is it hypochondria? -- accosts him with its dark demons.
Here are sketches of the past: a child's first great loss; the horror that afflicts a boy on his first public appearance; an early curiosity in the forbidden world of sexuality; and how, later, the secret doors are opened to his reluctant eyes.
There is humor interwoven with colorful threads. There is a cow's visit, and the story of the cowardly "Arresting Deputy," who finds heroism through serendipity. Then there are the confessions that should have been, and are made here for the perpetrators. The cruelty of bored men who, for amusement, force children into hatred; the stepfather, armed with hurtful knowledge, luxuriates as he mercilessly nudges a boy into worthlessness.
The stories of Confessions are absorbing not merely because they are "true," but because they have the integrity of truth. The characters collide or drift with the obstacles that circumstance and their own temperaments provide for them -- there is never a false note. One smiles with recognition when one meets these people in the street -- perhaps in the mirror. What happens to them becomes important to us, and they are etched three dimensionally in the mind. As with each of C.J. Stevens' books, Confessions entices one to frequent re-reading.
The FOLKS From GREELEY'S Mill and Other MAINE STORIES
Here comes Gordon Stuart, the exuberant veterinarian, whose visits are joyfully anticipated by the farmers, their wives, and some other ladies. He is restless and inquisitive, with shoulders too slippery for burdens. Here is Lula Hamwit, strong as a young steer and able to outwork any man. Is she living a victimized or a triumphant life?
We see dignified Thurston Edwards, proud of his earthy occupation, and little Harry Clough's bewildered first steps toward understanding matters sexual. Then young Clyde Stuart is caught in an unenviable predicament as he faces his first public appearance.
These are some of the folks from Greeley's Mill, time-lifted from the 1930's. We also meet a cherished pig called Reginald and a nervous cow named Becky Bea. Our eyes widen at the elbow-nudging pranksters who let loose their elaborate practical jokes on gullible acquaintances.
There is helpfulness untainted by self-righteousness,
curiosity softened
by acceptance, and a pulling together to make things right.
The stories in
the last part of the book delight us with a variety just as
excellently
crafted. Again the dialogue sparkles with the essence of its
characters.
C.J. Stevens is a born storyteller of exceptional skill, and his
people do not
leave us when we close the cover.
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Review commentary on the poetry of C.J. Stevens:
"His poems are serious, attentive gestures of care for other people or remembered experiences. He promises staying power." -- LIBRARY JOURNAL
"He can evoke another time and place with surprising immediacy and power." -- BOOKLIST
"His poems are fresh, richly imagined, and executed with economy and wit." -- MISSISSIPPI REVIEW
"One thing he does better than anyone else I know is incisive, sympathetic, moving portraits of persons outside of himself... He is a highly skilled craftsman, working with precision and accuracy." -- Ron Schreiber, MARGINS
"He has a penchant for catching the essence of a
character from
ordinary life, the very
ordinariness becoming a
springboard
for unique twists of imagery. He is able to pace his images with
earthy
conversational rhythms and season with a rueful wit." -- Barbara F.
Lefcowits,
POET LORE
"Page after page grab you where you live. He exhibits a sure mastery of style and subject." -- CANADIAN FORUM
"It is an engaging personality that speaks to us in these
poems, a man
whose sharp eyes pick out even the subtle differences a single line
can
make." --
Thomas
Dillingham, OPEN PLACES
COLLECTED POEMS
88 pages -- His Sixth and Latest
Collection!
SHEPHERD WITHOUT
SHEEP
88 pages -- His Fifth Collection
BEGINNINGS and
other poems
80 pages
CIRCLING AT THE
CHAIN'S LENGTH
77 pages
SELECTED
POEMS
180 pages
HANG-UPS
86 pages
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The artist who paints with words and composes with metaphors has a limited following. When a poet's mother tongue sounds harsh and strange to all beyond a country's narrow borders, the rest of the world is impoverished.
C. J. Stevens has gathered the works of a group of Dutch and Flemish poets, all highly regarded in their native land, and has poignantly unveiled their powerful form and brilliant imagery. His translations effortlessly mirror the core and scope of the original work. As we open the pages we are amazed that such fine poets of a concurrent culture have been strangers to us. But no longer.
This volume contains a range of varied and talented voices. It is an invitation to discovery, delight and recognition. A book to keep at hand.
"This book is fascinating for the range of poets that it
represents as
well as for the amount of control the translator clearly has over
his materials.
Good translations such as these will endure."
BOOKLIST
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This book is a full portrait of a complicated personality. Caldwell's unpredictability, harsh mood swings, and extramarital affairs are paralleled with instances of warmth, gentleness and generosity. A shy man bounds from a canvas alive with controversy. This book also is an attempt to better understand an American storyteller.
William Faulkner once ranked Erskine Caldwell among America's five most promising novelists. Thomas Wolfe was given the lead, followed by Faulkner, John Dos Passos, Caldwell and Ernest Hemingway. His reputation soared from 1934 to 1944 and then nose-dived. By the end of World War II, critics shunned him, though he had a huge following for several more years.
Inexpensive editions of Caldwell's books on circular "Spin It" racks in drugstores and corner groceries became a distribution sensation. His paperback publisher, New American Library, proclaimed him to be "The World's Best-Selling Author!" It was more than a buzzword gathering to decorate eye-teasing jackets—only the Bible was ahead in sales. His books have sold 80 million copies in forty-three languages, and in spite of numbers, Erskine Caldwell is a forgotten American writer.
There were 25 novels, 150 short stories, 12 nonfiction collections, and even 2 books for young readers. The novels Tobacco Road and God's Little Acre endured (they sometimes can be found in bookstores), and many of Caldwell's short stories were consummate achievements.
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How people saw Lawrence depended on where they stood on the social or intellectual level. A chameleon in reverse, taking on the opposite coloring of his environment, he stands out starkly in the many books written by articulate friends.
Now we hear a new voice. Naturally eloquent and with tactile recall, one of Lawrence's own characters speaks to us. Stanley Hocking, the farm boy in "The Nightmare" chapter of Lawrence's novel Kangaroo vividly describes that crucial time in Cornwall from March 1916 to October 1917 when Lawrence was reconsidering many of his inner values and external relationships. His marriage was in trouble, he felt tormented by the mass patriotism around him, and he was uncertain of his sexual preferences as he wandered ever closer to a culmination with the handsome young farmer, William Henry Hocking.
The book merges Stanley Hocking's remembrance of physical events with Lawrence's need to recall emotional events: the desire to find the past in the present was always strong in him. Lawrence delights in blending with the spirited Cornish farm family -- reliving his beginnings in the Midlands. His feelings run parallel to that time. So do the reactions of the women who love him: his mother then; his wife, Frieda, now.
Were the couple's famous fights caused by a struggle for dominance, class difference, or a mutual need for emotional upheaval? The farm people see a different Frieda than do Lawrence's intellectual friends. "She's more of a lady than he is." was an innocently astute remark from one of Stanley's sisters.
But the world intrudes. Submarines sink British ships, some in
view of
Lawrence's cottage, and people begin to talk. This strange, bearded
man with his
German, red-stockinged wife and his immoral, unpatriotic books was
surely
betraying his country. Now, added to the couple's hatred of the war,
come
suspicion and surveillance, and finally, shockingly, expulsion.
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Guardian angels, Mainers from Kittery to Fort Kent have stepped forward to reveal
their encounters - many of them incredible and some frightening.
Readers will find this book the trip of a lifetime as bizarre
incidents leap to the foreground and the pages gallop out of sight.
hauntings,
Bigfoot sightings,
witchcraft,
poltergeists,
ESP,
alien abductions,
UFO's,
out-of-
body experience,
psychics,
dowsing
and exorcism
- these are only a few of
the intriguing
adventures covered in this book.
Here is a world where participants are instantly challenged to make
sense out of what seems real, or what may be remnants from the glow
of storytelling - you decide .
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ONE DAY WITH A GOAT HERD by C.J. Stevens
Have you ever really known a
goat? Have you looked into the quizzical sparkle of its eyes;
understood the trust or alarm in the angle of an ear? Have you tried
to approach when its smooth lined body stiffens, ready to flee?
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